Panasonic Professional HD Broadcast Studio Package Mobile/Install

Product Highlights:- (3) Panasonic Studio Fiber Camera Systems
- (3) Fujinon HD Lenses with Rear Controls
- FOR.A Broadcast Switcher (4K upgradeable)
- Clear-Com 2 Channel Intercom System
- (3) Contour Professional Tripod Systems
- Panasonic Broadcast LCD Monitor with Waveform
(3) Panasonic AK-HC3800GSJ: High Sensitivity Multi-Format Optical Fiber Digital Broadcast Camera
(3) Panasonic AK-HCU200: CCU for AK-HC3800
(1) FOR.A HVS100 HD Production Switcher (4K upgradeable)
(3) Panasonic AK-HVF70GJ 7" Studio Viewfinder
(3) Panasonic AK-HRP200GJ: Fullsize Remote Control Panel with Joystick
(3) Panasonic ROP003M: Remote Control Cable
(1) Fujinon XA17X7.6BERM-M58: 17x, 2/3" ENG HD Zoom Lens with 2x Extender
(2) Fujinon XA17X7.6BRM-M58B: 17x, 2/3" ENG HD Zoom Lenses
(3) Fujinon MS-01: Rear Zoom and Focus Lens Control Kit w/VZ-F8-F12
(1) Panasonic BT-LH1770PJ: 17" LCD Studio Monitor
(1) Clear-Com MS-702: 2 Channel Intercom Main Station with Headset and Gooseneck Mic Connection
(1) Clear-Com RS-701: Encore Partyline 1-Channel Analog Belt Pack
(2) Clear-Com CC-300-X4: Single Ear Standard Headset (XLR4 Female)
(3) Clear-Com CC-300-X5: Single-Ear Headset with 5-pin Male XLR
(1) Omega Custom TALLY-NEW-PAN-3: Custom Tally & Intercom Cable Harness
(3) Contour CT30K: Professional Fluid Head Tripods, each with 2 Pan bars & Ground Spreader
(1) Contour CD100: Medium-duty dolly, Payload: 100lbs
Panasonic (mobile/install)
Panasonic BSTOCK Professional HD Broadcast Studio Package - (mobile/install)
Contact Info: Interested in purchasing this Package? Please contact our Sales Department at 512.251.7778 or sales@OmegaBroadcast.com
*Total Retail Price does not include Tax, Shipping or any other Applicable Fees. **Financing available with approved credit through Omega Finance.
The AK-HC3800 is an HD studio camera equipped with three high-sensitivity; high-quality 2/3-type 2.2-megapixel CCDs; a high-precision 16 bit A/D image processing circuit; and the latest generation 38-bit Digital Signal Processor (DSP). Compact and lightweight at only 8 lbs; it offers chromatic aberration compensation (CAC); scene file settings; and a sophisticated implementation of Panasonic's exclusive dynamic range stretch (DRS).
The HC3800 achieves a high sensitivity of F11 at 59.94Hz (2;000 lx) and an S/N ratio of 60dB. High definition formats can be switched to allow worldwide use at 1080/59.94i and 1080/50i. Output of 720/59.94p video will also be supported via a pre-NAB no-charge firmware upgrade. The newly-developed 16-bit A/D and 38-bit DSP utilize Spatial Offset Technology; and an advanced single transfer system to provide a high resolution picture (1;100 lines) with less moir and a vertical smear level less than -130dB.
The HC3800's DRS function simultaneously reduces blocked detail in shadow areas and blown highlights in scenes where extremely bright and dark objects coexist; and its CAC function can compensate for chromatic aberration at the lens periphery. The low-profile head and low main body design are ergonomically designed for comfortable operation and provide an unobstructed view to the camera operator's right-hand side. The HC3800 is also equipped with a Film Rec Gamma function adapted from Panasonic's renowned VariCam models; and a Scan Reverse function for cinema lens adaptors.
Adding the AK-HCU200 camera control unit (CCU); and the AK-HRP200G remote operation panel (ROP) to the HC3800 creates a low cost; high quality studio camera system that delivers world-class uncompressed video and system control via optical fiber transmission. The new AK-HVF70G compact and lightweight 7" LCD viewfinder completes the basic studio camera system.
The AK-HCU200 CCU; rack-mountable; lightweight and measuring 2U in height; has two HD/SD-SDI output channels and two additional HD/SD-SDI output channels that can be used in conjunction with the picture monitor outs. For return video inputs; the CCU is equipped with two HD/SDSDI channels and one VBS (analog composite video) channel. A down converter is also incorporated and an aspect ratio of an HD/SD-SDI out can be selected from Letterbox; Crop or Squeeze. Embedded audio is supported for HD/SD-SDI output and prompter input is provided.
The HCU200 and the AK-HC3800 can be connected with SMPTE 311 hybrid fiber cables over a distance of approximately 1;000 meters for transmission of uncompressed video; power; control; and other functions. The compact; 2.9-pound AK-HRP200 remote operation panel provides precise; rapid; and comprehensive control of the HC3800's powerful capabilities. Currently; the HRP200 and HCU200 connect via optional serial cables (e.g. ROP-50M) at a distance of up to 50 meters. The free system firmware upgrade available before NAB 2013 will add IP control communication between ROP and HCU; and will also permit the ROP to set-up and control Panasonic PTZ cameras such as the AW-HE120 via IP. Scene files; user files and lens files can be stored on and retrieved from SD-HC memory cards at both the HCU and HRP control panel.
The AK-HVF70 seven-inch color LCD serves as an electronic viewfinder (EVF) and provides superb picture quality with SWVGA (1;024 x 600 pixels) resolution. It includes as contrast; brightness and peaking adjustments; and is equipped with three user assignable function switches. The compact EVF features a Focus in Red" function; which highlights the edges of an object in red; and a "Pixel-to-Pixel" function; which allows the inputted video to be displayed without resizing. Additional EVF options for the HC3800 include the two-inch HD monochrome; model AJ-HVF21KG; and the one-inch; color LCD; model AJ-CVF100G.
Power Supply |
12 V DC (during external power supply operation) 190 V DC (when CCU is connected |
Power Consumption |
25 W (during external power supply operation, camera only) 53 W (maximum power during external power supply operation when maximum power supplied for each output connector while all accessories are connected) 60 W (maximum power when CCU is connected and maximum power supplied for each output connector while all accessories are connected) |
Operating Temperature |
-10 deg. C to 45 deg. C (14 deg. F to 113 deg. F) Preheating required at temperatures below 0 deg. C (32 deg. F) |
Storage Temperature |
-20 deg. C to 60 deg. C (-4 deg. F to 140 deg. F) |
Operating Humidity |
10 % to 85 % (no condensation) |
Pickup Device |
2/3 type 2.2 million pixel IT, CCD x3 |
System |
GBR pickup system |
Color Separation Optical system |
f/1.4 prism |
Optical Filter |
ND: Clear, 1/4, 1/16, 1/64 |
Lens Mount |
Bayonet type |
Output standard |
SMPTE 292M |
Sensitivity |
F11 (59.94 Hz) F12 (50 Hz) |
Horizontal Resolution |
1100 TV lines |
S/N |
60 dB or higher |
Horizontal Frequency |
33.716 kHz, 1125 line frame (59.94 Hz) 28.125 kHz, 1125 line frame (50 Hz) |
Vertical Frequency |
59.94 Hz or 50 Hz, interlace |
MIC Input |
-60 dBu to 4 dBu (XLR 3-pin female x 2) Gain selected by camera menu |
Intercom |
XLR 5-pin female x 1 Input: -60 dBu to -20 dBu Output: 100 mW max MIC ON/OFF, receiving level or PGM level |
HD SDI Output |
BNC x 2 (HD SDI 1/HD SDI 2) HD signal = 0.8 V [p-p], 75 Ohms The HD SDI 2 signal output can be added to the regular images using the camera menu item setting and switched to the VF or RET image output. |
Prompter Output |
BNC x 1, VBS signal = 1.0 V [p-p], 75Ohms |
DC OUT |
12 V, MAX. 1A |
RET Control Terminal |
Round 6 pin x 1 |
VF |
Round 20 pin x 1, D-Sub 29 pin x 1 |
Power Switching |
CCU, OFF, EXT |
USER 1/2/3 |
Functions specified by menu items can be assigned to the switch |
RET A/B Selection |
For selecting the return signal |
RET/PTT Switching |
RET, PPT |
Output Selection |
CAM, BAR, TEST |
White Balance Mode |
A, B, preset |
Shutter Speed Selection |
59.94 Hz: 1/48 (23.98p), 1/60 (23.98p, 29.97p), 1/100, 1/120, 1/125, 1/250, 1/500, 1/1000, 1/1500, 1/2000 50 Hz: 1/50 (25p), 1/60, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/1500, 1/2000 |
MIC Setting |
MIC power, MIC gain, MIC1 selection |
Dimensions (W x H x D) |
135 x 260 x 367.5mm / 5.31 x 10.24 x 14.47" excluding protrusions |
Weight |
Approx. 8.16lbs / 3.70kg |