Canon EOS R5 Digital Cinema Cmera (Body Only)

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Technical Specs
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Description

Canon EOS R5 C Digital Cinema Camera (Body Only)

Product Highlights:

Two Cameras in One Body: Photo + Cinema
45MP Stills, Full-Frame 8K CMOS Sensor
Photo/Video Switch Changes Settings Menu
JPEG/C-RAW, 12-Bit Cinema RAW Light
Dual Pixel CMOS AF with Eye Detection
CFexpress Type-B and SD UHS-II Slots
Dual-Slot Record, Unlimited Record Time
Timecode DIN Port, Multi-Function Shoe
4-Channel Audio Record with XLR Adapter
13 Reassignable Buttons

Canon EOS R5 C Mirrorless Cinema Camera
LP-E6NH Battery Pack
LC-E6 Battery Charger
SS-1200 Shoulder Strap
IFC-100U Interface Cable
Cable Protector
R-F-5 Camera Cover
Limited 1-Year Warranty

Canon EOS R5 C Digital Cinema Camera (Body Only)

Canon 5077C002 EOS R5 C Digital Cinema Camera (Body Only)

Compact and lightweight, the EOS R5 C is a true hybrid camera, boasting many of the video formats and features from the Cinema EOS lineup as well as many of the still capabilities of the EOS R5 camera in a beautifully designed body. The EOS R5 C is a complete package that offers filmmakers, multimedia journalists, and advanced amateurs a cost-effective 8K, 4K, and FHD video camera to help unlock their creative potential.

Canon’s 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera’s superb image quality, which also leads the way for impressive 8K/60P RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive continuous capture at speeds of up to 20 frames per second*, and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects. With 1,053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF**. For those with the need for speed, Canon has also included vehicle subject detection to assist with accurate tracking of cars and motorcycles.

For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.

The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.

Common Features & Technology as the EOS R5

Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.

Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps
Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects
With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF
For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles
Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images

Video Control for the Dedicated Video Professional

As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During "photo" operation, menus are nearly the same as they are on the EOS R5 camera.

Ergonomic EOS Design

The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.

CMOS Sensor and DIGIC X Processor

The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.

8K60 RAW Recording

Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.

The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

Canon EOS R5 C
Type
Type	Digital single-lens non-reflex AF/AE camera
Image Processor	DIGIC X
Recording Media	CFexpress card • Type B: Card slot SD card • SD card speed class-compatible. • Compatible with UHS-II • Eye-Fi cards and Multimedia cards (MMC) are not supported.
Compatible Lenses	Canon RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens Mount	Canon RF mount
Image Sensor
Type	CMOS sensor (compatible with Dual Pixel CMOS AF)
Effective Pixels	Approx. 45.0 megapixels
Sensor Size	Approx. 36.0 x 24.0 mm
Pixel Size	Approx. 4.40 μm square
Total Pixels	Approx. 47.1 megapixels
Aspect Ratio	3:2 (Horizontal: Vertical)
Color Filter System	RGB primary color filters
Low Pass Filter	Installed in front of the image sensor, non-detachable
Dust Deletion Feature	(1) Self Cleaning Sensor Unit • Removes dust adhering to the low-pass filter. • At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen). • After manually activated cleaning, the camera will automatically restart (Power OFF to ON). • When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected. (2) Dust Delete Data acquisition and appending • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. • The dust coordinate data appended to the image is used by the EOS Canon Digital Professional Software (v. 4.14 and higher) to automatically erase the dust spots. • Not available with EF-S lenses, in cropped shooting or multi-exposure shooting. (3) Manual cleaning (by hand)
Recording System
Recording Format	Compliant to Design rule for Camera File system 2.0 and Exif 2.3. Supports time difference information in Exif 2.31.
Image Format	JPEG, HEIF, RAW (CR3, 14 bit RAW format), C-RAW (Canon original); Movies: ALL-I, IPB, RAW
HDR Mode- Continuous Shooting	(1) 1 shot only (2) Continuously (3) Multiple Exposure
Advanced shooting operations	(1) Focus Bracketing (2) Interval Timer (3) Bulb Timer (4) Multi-Shot NR
File Size	3:2 Aspect Ratio Large/RAW/C-RAW: 8192 x 5464 Medium: 5808 x 3872 Small 1: 4176 x 2784 Small 2: 2400 x 1600 1.6x (Crop)* Large/RAW/C-RAW: 5088 x 3392 Small 2: 2400 x 1600 4:3 Aspect Ratio Large: 7280 x 5464 Medium: 5152 x 3872 Small 1: 3712 x 2784 Small 2: 2112 x 1600 RAW/C-RAW: 8192 x 5464 16:9 Aspect Ratio Large: 8192 x 4608 Medium: 5808 x 3264 Small 1: 4176 x 2344 Small 2: 2400 x 1344 RAW/C-RAW: 8192 x 5464 1:1 Aspect Ratio Large: 5456 x 5456 Medium: 3872 x 3872 Small 1: 2784 x 2784 Small 2: 1600 x 1600 RAW/C-RAW: 8192 x 5464 • Values for Recording Pixels are rounded to the nearest 100,000 or 10,000. • For RAW and JPEG images, information outside the cropping area is not retained. • JPEG images are generated in the set aspect ratio. • RAW images are generated in [3:2], and the set aspect ratio is appended. * Indicate an inexact proportion.
File Numbering	The following file numbers can be set: 1. File numbering methods a. Continuous numbering i. The numbering of captured images continues even after you replace the card. b. Auto reset i. When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card. 2. Manual reset a. Resets the file number to 0001, and creates a new folder automatically. * When manually resetting the file number, folders can also be renamed.
RAW + JPEG / HEIF Simultaneous Recording	Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
Color Space	Selectable between sRGB and Adobe RGB
Picture Style	(1) Auto (2) Standard (3) Portrait (4) Landscape (5) Fine Detail (6) Neutral (7) Faithful (8) Monochrome (9) User Defined 1–3 • In Scene Intelligent Auto, [Auto] will be set automatically. • [Standard] is the default setting for [User Def. 1–3].
White Balance
Settings	(1) Auto (Ambience priority/White priority) (2) Daylight (3) Shade (4) Cloudy* (5) Tungsten light (6) White fluorescent light (7) Flash (8) Custom (Custom WB) (9) Color temperature * Effective also in twilight and sunset.
Auto White Balance	Option between ambience priority and white priority settings.
White Balance Shift	Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels Corrected in reference to the current WB mode’s color temperature.
Viewfinder
Type	OLED color electronic viewfinder; approx. 5.76 million dots resolution
Coverage	Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint).
Magnification / Angle of View	Approx. 0.76x / Approx. 35.5 degrees (with 50mm lens at infinity, -1 m-1)
Eye Point	Approx. 23mm (at -1 m-1 from the eyepiece lens end)
Dioptric Adjustment Range	Approx. -4.0 to + 2.0 m-1 (dpt)
Viewfinder Information	(1) Maximum burst (2) Possible shots/Sec. until self-timer shoots (3) Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer (4) Shooting mode (5) AF method (6) AF operation (7) Image quality (8) Card (9) Drive mode (10) Metering mode (11) No. of remaining shots for focus bracketing, multiple exposures, or interval timer (12) Electronic level (13) Movie recording time available (14) Battery level (15) Image Stabilizer (IS mode) (16) Histogram (Brightness/RGB) (17) Quick Control button (18) Anti-flicker shooting (19) White balance/White balance correction (20) Picture style (21) Auto Lighting Optimizer (22) Still photo cropping / Aspect ratio (23) AF point (1-point AF) (24) AEB/FEB (25) View Assist (26) HDR PQ (27) Flash ready / FE lock / High-speed sync (28) Electronic shutter (29) Touch shutter / Create folder (30) AE lock (31) Shutter speed / Multi-function lock warning (32) Aperture value (33) Wi-Fi® function (34) Wi-Fi® signal strength (35) Bluetooth® function (36) Exposure simulation (37) Magnify button (38) ISO speed (39) Highlight tone priority (40) Exposure compensation (41) Exposure level indicator
Autofocus
Focus Method	Dual Pixel CMOS AF II
Number of AF zones available for Automatic Selection	AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% Stills: Max. 1053 zones (39 x 27) Movies: Max. 819 zones (39 x21)
AF Working Range	EV -6 to 20 (f/1.2 lens, center AF point, One-Shot AF,at 73°F/23°C, ISO 100) Except RF lenses with a Defocus Smoothing (DS) coating.
AF Methods	Face+Tracking AF Spot AF 1-point AF Expand AF Area (Above, below, left and right/Around) Zone AF Large Zone AF: Vertical, Horizontal
Subject to Detect	People, Animals, No Priority * Available with [AF method] set to Face+Tracking, Zone AF, or Large Zone AF (vertical/horizontal)
Exposure Control
Metering Modes	Real-time metering with image sensor (384 zones [24x16 zone metering]) (1) Evaluative metering (AF point-linked) (2) Partial metering (approx. 6.1% of the area at the center of the screen) (3) Spot metering (approx. 3.1% of the area at the center of the screen) (4) Center-weighted average metering
Metering Range	EV -3 – 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting)
Exposure Control Modes	(1) Scene Intelligent Auto (2) Flexible-priority AE (Fv) (3) Program AE (P) (4) Shutter-priority AE (Safety shift possible) (Tv) (5) Aperture-priority AE (Safety shift possible) (Av) (6) Manual exposure (M) (7) Bulb (8) Custom shooting mode C1, C2, C3
Exposure Compensation	Manual: ±3 stops in 1/3- or 1/2-stop increments AEB: ±3 stops in 1/3- or 1/2-stop increments
AE Lock	(1) Auto AE lock • The metering mode for AE lock after one-shot focus can be customized. (2) User-applied AE lock • In the Fv, P, Tv, Av and M modes, enabled with the AE lock button. (Press again to update.) • Enabled in all metering modes.
Shutter
Type	(1) Mechanical (2) Electronic 1st-Curtain (3) Electronic Shutter (1st and 2nd curtain - silent) Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High]. * A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image.
Shutter Speeds	When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb When [Electronic] is set: 1/8000-0.5 sec.
X-sync Speed	Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec.
Shutter Release	Soft-touch electromagnetic release
Self Timer	10-sec. delay, 2-sec. delay
Image Stabilization (IS mode)
Still Photo IS	Optical IS with RF and EF lenses equipped with Image Stabilization. • Always on • Only for shot
Video IS	A narrower angle of view is used when digital image stabilization is selected in the menu. This is equivalent to approx. 1.1x longer focal length when Electronic Image Stabilization mode (Standard) is selected. Also, this is equivalent to approx. 1.43x longer focal length when Electronic Image Stabilization mode (High) is selected.
External Speedlite
E-TTL balance	Ambience priority, standard, flash priority
Compatible E-TTL Speedlites	Canon EX- and EL-series Speedlites
E-TTL II Flash Metering	(1) Evaluative (Face Priority) (2) Evaluative (3) Average
Slow Sync (P/Av modes)	(1) 1/250* – 30 sec., auto (2) 1/250* – 1/60 sec., auto (3) 1/250* sec. (fixed) * Electronic 1st curtain shutter only * With mechanical shutter — 1/200 sec.
Flash Function Menu	Provided for EX- and EL-series Speedlites
Flash Exposure Compensation	±3 stops in 1/3- or 1/2-stop increments
Continuous flash control	1. E-TTL each shot 2. E-TTL 1st shot

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