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Panasonic at the International Broadcast Equipment Exhibition
Panasonic at the International Broadcast Equipment Exhibitionby: atanguma 12/6/2013 Omega Broadcast News | December 6, 2013: At the 49th International Broadcast Equipment Exhibition — Inter BEE 2013, Panasonic’s exhibit focused on the theme "ULTRA SPEED & QUALITY."
Apr 15th 2018
Introducing the new SONY PVMA170 and PVMA250 Trimaster Monitors
Introducing the new SONY PVMA170 and PVMA250 Trimaster Monitorsby: cwalsh 11/25/2013
Available Early 2014
Sony is pleased to announce the Newest Trimaster EL PVM series monitors; the
PVMA170 and PVMA250. The PVMA-250 and PVMA-170 professional OLED monitors combine slim, lightweight and easily portable designs with the technology’s proven advantages of high color accuracy, contrast and picture quality. The new models (PVM-A250, 25-inch and PVM-A170, 17-inch) are the industry’s lighte
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Apr 15th 2018
Fujifilm Image Processing Systems
Fujifilm Image Processing Systemsby: pgoetz 11/21/2013
Image Processing System IS-mini ($1,300)
Digital color adjustment device used for on-set camera preview and for monitor calibration for professional motion picture productions
Image Processing System IS-100 ($30,000)
First on-set color management system for digital motion pictures, compliant with "ACES Specification" of the Academy of Motion Picture Arts and Sciences
More info:
http://www.fujifilm.com/product
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Apr 15th 2018
Check out Magma’s Thunderbolt PCIe Expansion Chassis
Check out Magma’s Thunderbolt PCIe Expansion Chassisby: pgoetz 11/15/2013
Engineered to Magma’s ‘mission critical’ standards for performance and reliability, ROBEN-3TX features three (3) full-length, full-height PCIe slots with a robust, high speed backplane. The rack-mountable aluminum chassis was designed for integrated removable storage expansion, providing flexibility with two customer configurable 5.2” expansion bays, a 540-watt power supply, auxiliary power, and features Magma’s excl
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Apr 15th 2018
ARRI Announces the AMIRA Camera
ARRI Announces the AMIRA Cameraby: cwalsh 11/05/2013
4:4:4 2K Modes with Frame Rates up to 200fps
The
AMIRA expands ARRI's digital camera offering into ENG and documentary style production. The camera features the look of the ARRI ALEXA sensor and puts it into a lightweight and compact body designed to be ready for production right out of the box. Since the AMIRA’s sensor is the same as that of the ALEXA, you’ll get 14 stops of dynamic range, fantastic skin-tone rendition, a native ISO
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Apr 15th 2018